Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 12, Variations in B♭ major
In FE (→EE) in bars 175-176 in the L.H. the naturals were placed next to the d1 notes. It must be a mistake, since d1 does not require a 
in this case; the only note that could require a natural would be b
, in each of these bars. In the main text we include a respective correction, introduced by GE, as well as add cautionary flats to b1 at the end of the bars. The change in GE could be attributed to Chopin, as the sound of the FE version (→EE) does not provide any grounds for intervention. However, it is uncertain, as a careful reviser could have noticed the unjustified nature of the naturals to d1, described above, and found an explanation suggested by us, taking into account a few other cases of misplaced accidentals in FE.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: Errors in FE, GE revisions, Authentic corrections of FE, Errors repeated in EE
notation: Pitch
