& 
in 
suggested by the editorsIn the theme and the first variation (bars 33-88) we sort the division into parts and the rhythmic values of longer notes (particularly in the L.H.), which is inconsistent in FE, and often erroneous or vague (both GE and EE corrected some mistakes). Below is the list of changes:
- in bar 39 we extend the sound of the d bass note and simplify its notation;
- in bar 49 we remove the augmentation dot to the f1 crotchet on the 1st beat – present in FE, but removed in GE and EE;
- in bar 54 and 55 we add augmentation dots to the f minims in the L.H. bottom voice – in FE both dots are missing, while in GE – one;
- in bar 58 we add an augmentation dot to the a1 crotchet in the R.H. (missing in FE (→EE)) and shorten the f dotted minim in the L.H. (present in FE) to the correct dotted crotchet;
- in bar 83 we remove the double stem of the g2 tone – which was also performed in EE;
- in bar 83 in the L.H. we remove the augmentation dot to the f minim – present in FE and GE, yet removed in EE;
- in bar 84 in the L.H. we shorten the excessive f dotted minim (present in FE (→EE)) to a dotted crotchet – which was also performed in GE;
- in bar 85 we add an augmentation dot to the f1minim – which was also performed in GE and EE;
- in bar 88 we separate the a crotchet from the f-e
1 dotted crotchet.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources; Editorial revisions
issues: Errors in FE, GE revisions
notation: Rhythm, Shorthand & other