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b. 77-78
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composition: Op. 30 No. 4, Mazurka in C# minor
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In the main text we add cautionary accidentals – a category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 77-78
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composition: Op. 30 No. 4, Mazurka in C# minor
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In these bars, the pedalling was almost certainly added in the stage of proofreading FE (→EE). It was absent in [A], since Fontana started writing category imprint: Differences between sources; Source & stylistic information issues: Authentic corrections of FE |
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b. 80
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composition: Op. 30 No. 4, Mazurka in C# minor
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The fingering digit in FC could have been added by Chopin; however, according to us, it cannot be said with certainty, since both Chopin and Fontana wrote similar digits in terms of shape. category imprint: Differences between sources |
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b. 80
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composition: Op. 30 No. 4, Mazurka in C# minor
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We reproduce the grace note in the version of the principal source, that is FC. It certainly corresponds to the performance intended by Chopin, regardless of the kind of notation he used, since he often did not pay great attention to the notation of grace notes, particularly in such obvious situations. category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 81-84
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composition: Op. 30 No. 4, Mazurka in C# minor
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There are no reasons to doubt the authenticity of stretto - -, which was most probably added in the stage of proofreading FE or to the basis thereof – Chopin most probably added it together with the following cresc. - -, which he also entered into FC. Therefore, we include it in the main text. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
to f
1 in bar 77 and a 
to e1 in bar 78. The latter was added also in 
in bar 78 in 
in 
in 
