Articulation, Accents, Hairpins
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b. 19
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composition: Op. 29, Impromptu in A♭ major
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A (→GE) and FE differ in the range of the crescendo hairpins. A includes hairpins which begin after the 3rd quaver and end before the last crotchet in the bar. In FE the hairpins were led from the 2nd quaver to the end of the bar. EE is totally lacking the sign. We adopt the variant of A (→GE). category imprint: Differences between sources issues: Scope of dynamic hairpins , Errors in EE |
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b. 20
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composition: Op. 29, Impromptu in A♭ major
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The range of the crescendo hairpins in A is ambiguous. We assume the upper arm to be determining. The sign was similarly interpreted in GE. In FE the sign is placed quite earlier, under the 2nd quaver, while EE is totally lacking it. category imprint: Graphic ambiguousness; Differences between sources issues: Scope of dynamic hairpins , Errors in EE |
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b. 21-25
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composition: Op. 29, Impromptu in A♭ major
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Vertical accents in EE are most probably an arbitrary change introduced by the editor, although such form of accents in the manuscript - the base text for EE - cannot be completely excluded. category imprint: Differences between sources issues: EE revisions , Vertical accents |
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b. 22
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composition: Op. 29, Impromptu in A♭ major
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In GE the accent on the 1st quaver in the R.H. was omitted. It is certainly a mistake. category imprint: Differences between sources issues: Errors in GE |
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b. 22
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composition: Op. 29, Impromptu in A♭ major
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In FE the sign of accent on the 1st quaver in the L.H. was omitted, which is certainly an error. category imprint: Differences between sources issues: Errors in FE |
