Articulation, Accents, Hairpins
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b. 75
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composition: Op. 29, Impromptu in A♭ major
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The sources differ slightly, as far as the range of the crescendo hairpins is concerned. The indication in GE, which clearly starts earlier, is probably a result of misunderstanding of A where the beginning of the indication blends with the slur in the L.H. category imprint: Differences between sources |
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b. 77
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composition: Op. 29, Impromptu in A♭ major
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The sources differ in the range of the dynamic hairpins. In FE the hairpins were slightly shortened in comparison with A (→GE), whereas in EE they begin in the middle of the bar and end on the 1st beat of the next bar. We adopt the notation of A (→GE). category imprint: Differences between sources issues: Scope of dynamic hairpins |
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b. 78
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composition: Op. 29, Impromptu in A♭ major
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FE is lacking the staccato sign over the opening octave. Most probably it is an oversight. category imprint: Differences between sources issues: Errors in FE |
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b. 80
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composition: Op. 29, Impromptu in A♭ major
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In A the staccato is clearly determined with a wedge which was also recreated in FE. In GE the wedge was changed into a dot. The staccato dot is also in EE. category imprint: Differences between sources issues: GE revisions |
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b. 80
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composition: Op. 29, Impromptu in A♭ major
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The clearly long accent in A was recreated in GE as a short one; the similar situation can be found in FE and EE. category imprint: Differences between sources issues: Long accents |
