Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 29, Impromptu in A♭ major
The sources differ in the range of the crescendo hairpins. In A the place of their ending is uncertain – the upper arm reaches the bar line, while the lower one reaches the minim in bar 70. In GE the hairpins were placed in entire bar 69. In FE the beginning of crescendo was put under the last quaver of the 1st triplet group, while in EE – at the beginning of the 2nd group. We adopt the notation of A, taking into account the longer arm of the hairpins.
Compare the passage in the sources »
category imprint: Graphic ambiguousness; Differences between sources
issues: Scope of dynamic hairpins
notation: Articulation, Accents, Hairpins
