Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 29, Impromptu in A♭ major
In A the lower arm of the hairpins is slightly longer, yet their range is clear – they reach the last note in the bar. FE is lacking the crescendo hairpins. In EE they were put over the upper pentagram, which can stem from the notation of the lost base text (we find a similar manner of the hairpins' notation in A in bar 51).
Compare the passage in the sources »
category imprint: Differences between sources
notation: Articulation, Accents, Hairpins
