Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 29, Impromptu in A♭ major
We consider interpreting the accents in A as long ones to be more probable, as they emphasise the imposition of longer rhythmic values (crotchets) on the triplet figuration. In A and GE1 there are no accents in bar 99, which can be considered as Chopin's inattention (which is characteristic for the reprise). The omission was partially corrected in GE2 (→GE3→GE4), where three first accents were placed. EE and FE already have all four signs, concordant with analogous bar 17.
Compare the passage in the sources »
category imprint: Graphic ambiguousness; Differences between sources
issues: Long accents
notation: Articulation, Accents, Hairpins
