Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 29, Impromptu in A♭ major
The sources differ in the range of dynamic hairpins. In A Chopin wrote the hairpins from the beginning of the second triplet group and clearly led its ending under the penultimate quaver in the bar. It was reflected in GE2 (→GE3→GE4) and FE. In GE1 the hairpins were extended on the entire bar. In EE the beginning is concordant with A, while the ending was slightly shortened, to the 10th quaver.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Scope of dynamic hairpins
notation: Articulation, Accents, Hairpins