Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 29, Impromptu in A♭ major
The sources differ slightly in the range of dynamic hairpins. In A the hairpins begin under the 3rd quaver and end on the penultimate one. In GE the hairpins were extended on the entire bar. The next editions of GE and EE have shorter hairpins, similar to A, yet moved one quaver to the right. In FE the ending is the same as in A, while the hairpins begin under the 4th quaver.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Scope of dynamic hairpins
notation: Articulation, Accents, Hairpins
