Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 29, Impromptu in A♭ major
The sources differ in the range of the diminuendo hairpins. In A they begin on the 4th quaver in bar 85 and they end under the 10th quaver in bar 86. In GE the range of the hairpins was simplified, positioning them in the entire space of bars 85-86. In GE2 (→GE3→GE4) the ending of the hairpins was specified, as they were shortened by one quaver in comparison with GE. In FE and EE the hairpins were put only in bar 85 and shortened to two middle quaver groups. We adopt the notation of A.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Scope of dynamic hairpins
notation: Articulation, Accents, Hairpins
