Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 29, Impromptu in A♭ major
In A (→GE1) and EE1 there is no natural restoring g on the last quaver. It is undoubtedly Chopin's oversight, one of his most frequent ones. The sign was added in GE2 (→GE3→GE4) and EE2. It can be assumed that also the natural in FE was added during the proofing (it is absent in the analogous bar 98).
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: Omissions to cancel alteration
notation: Pitch
