Issues : Errors in FE
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b. 2
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composition: Op. 10 No 8, Etude in F major
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The wedges over d and a are a result of a mistake of the engraver of FE, who misinterpreted the '1's of the fingering. The first of them was removed in the last proofreading of FE (→EE), yet in GE it remained unchanged. In the main text we give the fingering after A, yet we leave the inclusion of the digit over d to the performer's discretion, as in subsequent, similar figures (bars 4, 6, 8), Chopin did not once repeat it and it cannot be excluded that it referred to the original version of this fragment. category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE |
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b. 2-6
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composition: Op. 10 No 8, Etude in F major
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The range and possible divisions of slurs in A are unclear. We suggest two possible interpretations. Perhaps it was the uncertainty concerning this issue that was the reason for the omission of the slurs in bars 3-5 in FE (→GE,EE). In this kind of rhythmically homogeneous, virtuoso figuration, possible breaks in slurs on the main beats of the bar do not influence the performance. category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: Errors in FE , Inaccurate slurs in A |
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b. 2
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composition: Op. 21, Concerto in F minor, Mvt II
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The absence of a category imprint: Differences between sources issues: EE revisions , Errors in FE , Authentic corrections of FE |
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b. 2
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composition: Op. 28 No. 10, Prelude in C♯ minor
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In FE1 the 4th and 5th semiquavers of the bar are b1-a1. It must be a mistake – it is likely that the engraver was influenced by the structure of the previous and the next two figures. The error was rectified in FE2; it is also all the remaining sources that include the correct version, analogous to b. 6 and 14. category imprint: Differences between sources issues: Errors in FE , FE revisions |
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b. 3-11
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composition: Op. 10 No 5, Etude in G♭ major
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In the main text in bar 3 we give the fingering from A without brackets. It was also reproduced in FE (→GE), however, omitting, probably inadvertently, the last digit. This reduced fingering version is also in EE, in which it was additionally repeated in analogous bar 11. Moreover, that edition adds digits in the further part of bar 3. In the main text, apart from the digits drawn from A, we consider a different fingering written by Chopin in bars 3-4 in FED. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Differences in fingering |
1 in 
lowering d1 to d
