Issues : Accidentals in different octaves

b. 390-391

composition: Op. 11, Concerto in E minor, Mvt III

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FE is missing the sharps raising e3 to e​​​​​​​3. The accidentals were added in the remaining editions.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Omission of current key accidentals

b. 391

composition: Op. 11, Concerto in E minor, Mvt I

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In FE, there is no  before f2, which was a frequently used procedure in this layout – it was the mark placed earlier before a note sounding an octave higher, but written at the same pitch that was considered to be valid. The remaining editions added a .

category imprint: Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions

b. 405-407

composition: Op. 11, Concerto in E minor, Mvt I

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In bar 405 and 407, there are no naturals lowering f to in FE. These patent inaccuracies were corrected both in GE and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions

b. 408

composition: Op. 11, Concerto in E minor, Mvt I

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In FE, there is no  lowering f​​​​​​​​​​​​​​ to fThe patent inaccuracy of the Chopinesque notation was corrected in GE and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions

b. 410

composition: Op. 11, Concerto in E minor, Mvt III

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In FE, sharps before the a​​​​​​​ notes are present only in the R.H. part. The inaccuracy was corrected in the remaining editions.

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , Inaccuracies in FE