Issues : Accidentals in different octaves
b. 390-391
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composition: Op. 11, Concerto in E minor, Mvt III
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FE is missing the sharps raising e3 to e3. The accidentals were added in the remaining editions. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Omission of current key accidentals |
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b. 391
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, there is no before f2, which was a frequently used procedure in this layout – it was the mark placed earlier before a note sounding an octave higher, but written at the same pitch that was considered to be valid. The remaining editions added a . category imprint: Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions |
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b. 405-407
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composition: Op. 11, Concerto in E minor, Mvt I
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In bar 405 and 407, there are no naturals lowering f to f in FE. These patent inaccuracies were corrected both in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
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b. 408
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, there is no lowering f to f. The patent inaccuracy of the Chopinesque notation was corrected in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
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b. 410
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE, sharps before the a notes are present only in the R.H. part. The inaccuracy was corrected in the remaining editions. category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Inaccuracies in FE |