Issues : Errors of A
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b. 476-477
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composition: Op. 21, Concerto in F minor, Mvt III
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In A, Chopin wrote only two naturals in this place – before the 2nd quaver in bar 476 and before the bottom note of the 1st quaver in bar 477. The missing signs before the 1st octave in the L.H. in bar 476 are the only case in the entire fragment in which the first occurrence of a note in a bar was not marked correctly. It probably indicates that the part of the L.H. was written after the passages in the R.H., hence the first b Chopin encountered while writing was the 2nd quaver, written on the bottom stave. Considering that the category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Omission of current key accidentals , Errors of A |
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b. 481-484
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composition: Op. 21, Concerto in F minor, Mvt III
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A has only dashes marking the range of an unspecified indication in these bars, most probably cresc. from bar 469 – see bars 475-480. The cresc. marking, appearing in GE (→FE→EE) at the beginning of bar 481, was added probably by Chopin as proofreading of incomplete indications of A, hence we give it in the main text. category imprint: Differences between sources issues: Inaccuracies in FE , Errors of A , Authentic corrections of GE |
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b. 481
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composition: Op. 21, Concerto in F minor, Mvt III
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The missing arpeggio mark in A before the 1st chord in the L.H. is a patent mistake, corrected already in GE (→FE→EE). category imprint: Interpretations within context; Differences between sources issues: GE revisions , Errors of A |
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b. 481
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composition: Op. 21, Concerto in F minor, Mvt III
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In the last chord in the L.H., A does not have signs returning g and b category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Omissions to cancel alteration , Errors resulting from corrections , GE revisions , Errors of A |
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b. 486
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composition: Op. 21, Concerto in F minor, Mvt III
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A (→GE1→FE1) features a d2 as the last quaver. At the same time, one can see that initially the entire last triplet was written a second lower – c category imprint: Interpretations within context; Differences between sources issues: Corrections in A , Errors resulting from corrections , GE revisions , Errors of A , Authentic corrections of FE |
is valid also for the topmost note in the L.H., all necessary naturals were added already in 
. This patent inaccuracy, probably caused by crossings-out and changes (the crossed out chord sounded e-a
-c