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Issues : Errors repeated in FE
b. 17
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composition: Op. 28 No. 8, Prelude in F♯ minor
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In all sources, the 3rd demisemiquaver in the 2nd group is a b1 (literal interpretation). It is the initial uncorrected version, left by inadvertence – in A, initially, the 3rd demisemiquaver in the first two figures of each of b. 15-18 was a b category imprint: Interpretations within context; Editorial revisions issues: Omission of current key accidentals , Errors of A , Omitted correction of an analogous place , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 17-19
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composition: Op. 28 No. 22, Prelude in G minor
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In A (→FC,FE) there are no flats lowering d1 to d category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 17-20
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composition: Op. 28 No. 19, Prelude in E♭ major
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In A (→FC,FE) there are no flats lowering D to D category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 18
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composition: Op. 28 No. 24, Prelude in D minor
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In the final part of the roulade (starting from c2), there are no accidentals in A (→FC,FE). The patent inaccuracy was corrected in GE and EE by adding the necessary sharps and a natural. See also notes to bars 32 and 36. category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 18-20
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composition: Op. 28 No. 21, Prelude in B♭ major
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In A (→FE) there is not a single category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Fontana's revisions , Inaccuracies in A , Errors repeated in FE |