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Issues : Fontana's revisions
b. 22
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composition: Op. 28 No. 24, Prelude in D minor
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In A there is no dot extending the a crotchet, which is a patent oversight. The dot is present in all the remaining sources. category imprint: Interpretations within context; Differences between sources issues: Rhythmic errors , Errors of A , FE revisions , Fontana's revisions |
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b. 24-26
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composition: Op. 28 No. 8, Prelude in F♯ minor
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In the main text we reproduce the range of cresc. marked with dashes in accordance with the notation of A (→FE→EE). Dashes running almost until the end of b. 26 in FC was an arbitrary decision of Fontana or perhaps a mistake – the dashes in FC end more or less in a place where they would have ended if they had been written in A a line lower. The omission of the entire indication in GE is a patent mistake. category imprint: Differences between sources issues: Errors in GE , Fontana's revisions |
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b. 24
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composition: Op. 28 No. 11, Prelude in B major
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In the 1st half of the bar, the only mark in A is a category imprint: Differences between sources issues: Errors resulting from corrections , Errors of A , FE revisions , Fontana's revisions |
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b. 24-25
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composition: Op. 28 No. 17, Prelude in A♭ major
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The version of A – without category imprint: Differences between sources; Editorial revisions; Corrections & alterations; Source & stylistic information issues: Deletions in A , FE revisions , Fontana's revisions |
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b. 25
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composition: Op. 28 No. 24, Prelude in D minor
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In A there are no naturals raising b category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Errors of A , FE revisions , Fontana's revisions |