Issues : Annotations in FES
b. 5-13
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composition: Op. 30 No. 1, Mazurka in C minor
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The contrasting dynamic indications in bars 5, 9 and 13 were most probably added to FC by Chopin, as were many other markings (e.g. dynamic hairpins or accents). However, one has to emphasise that these marks, although their shape is the same as of some undoubtedly Chopinesque ones (e.g. in the autograph of the Scherzo in B minor, Op. 31, bar 25, in the autograph of the Etude in A, Op. 25 No. 1, bars 9 and 22, in the autograph of the Etude in F minor, Op. 10 No. 9, bars 29 and 33 or in the later autograph of the Polonaise-Fantaisie, Op. 61, bar 1), are also very similar to the Fontana ones. The fact that they could have been written in Chopin's hand is indicated by, e.g. their more delicate, as if pale notation – cf. the analogous markings in the Mazurka in B minor no. 2, written certainly by Fontana. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FES , Authentic corrections of FC |
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b. 6
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composition: Op. 25 No 8, Etude in D♭ major
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FE features e2 as the top note of the sixth beginning the 2nd half of the bar. This patent error was corrected in both pupils' copies, including annotations in this Etude – FED and FES. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , Errors in FE , Annotations in FED , Annotations in FES |
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b. 6
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composition: Op. 21, Concerto in F minor, Mvt II
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The fingering digit, written with a quill pen most probably by a pupil, was probably added in place of an entry written in pencil by Chopin. category imprint: Differences between sources |
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b. 6-7
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composition: Op. 28 No. 6, Prelude in B minor
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In FEJ the mark referring to the e1 crotchet is illegible. According to us, it may be a fingering digit (2), written instead of a 'one' – it would then be the same notation that can clearly be seen in FES. The 1st finger on e1 in b. 6 visible in EE most probably also indicates that fingering. category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations; Source & stylistic information issues: Annotations in teaching copies , EE revisions , Annotations in FES , Annotations in FEJ |
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b. 7
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composition: Op. 25 No 9, Etude in G♭ major
category imprint: Differences between sources |