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b. 1
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composition: Op. 28 No. 12, Prelude in G♯ minor
..
The 4th quaver in FE is an erroneous f category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED |
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b. 1
|
composition: Op. 28 No. 16, Prelude in B♭ minor
..
The change of time signature in FE probably resulted from the engraver's inattention. In Chopin's pieces, it was common that engravers did not differentiate between category imprint: Differences between sources issues: Errors in FE , 4/4 or 2/2 |
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b. 1
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composition: Op. 28 No. 16, Prelude in B♭ minor
..
In this bar Fontana overlooked all performance indications except the slur, i.e. category imprint: Differences between sources issues: Errors of FC |
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b. 1
|
composition: Op. 28 No. 16, Prelude in B♭ minor
..
Fontana overlooked the pedalling markings (as well as almost all performance indications in this bar). category imprint: Differences between sources issues: Errors of FC |
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b. 1
|
composition: Op. 28 No. 16, Prelude in B♭ minor
..
The missing staccato dot is an oversight of the copyist and the engraver of EE. category imprint: Differences between sources issues: Errors in EE , Errors of FC |
1, as a result of which the next quaver is also wrong – it is an e1 instead of an e
, completely unjustified before f
in 
in 
Minor.
, pedalling markings, accents and the staccato dot in the bass.
