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Issues : Omission of current key accidentals
b. 17
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composition: Op. 28 No. 8, Prelude in F♯ minor
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In all sources, the 3rd demisemiquaver in the 2nd group is a b1 (literal interpretation). It is the initial uncorrected version, left by inadvertence – in A, initially, the 3rd demisemiquaver in the first two figures of each of b. 15-18 was a b category imprint: Interpretations within context; Editorial revisions issues: Omission of current key accidentals , Errors of A , Omitted correction of an analogous place , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 17
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composition: Op. 28 No. 24, Prelude in D minor
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In A there are no naturals raising b category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Omission of current key accidentals , FE revisions , Fontana's revisions , Inaccuracies in A |
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b. 18
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composition: WN 55, Waltz in F minor
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In AR, AE and AG (→CY), Chopin did not write a natural raising d category imprint: Differences between sources |
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b. 18
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composition: Op. 45, Prelude in C♯ minor
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It is difficult to decide whether we are dealing here with one authentic version or with two authentic ones. FE1 has no accidentals in this bar, and such sloppy notation (naturals are obviously needed to lower d
In versions with the natural we add a cautionary category imprint: Interpretations within context; Differences between sources; Editorial revisions |
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b. 18
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composition: Op. 10 No 6, Etude in E♭ minor
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In A (→FE→GE1→GE2→GE3→GE4) there is no category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , GE revisions , Omission of current key accidentals , Errors of A , Annotations in FES |