Issues : Fontana's revisions
b. 18-20
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composition: Op. 28 No. 21, Prelude in B♭ major
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In A (→FE) there is not a single lowering d to d in these bars. Chopin's patent inaccuracy was corrected in FC (→GE) and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Fontana's revisions , Inaccuracies in A , Errors repeated in FE |
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b. 19-23
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composition: Op. 28 No. 21, Prelude in B♭ major
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In A Chopin overlooked a few necessary flats in the R.H. part: in b. 19 d2, in b. 21 d3 and g2, in b. 22 d2 and d3. FC added only the first in b. 21; in addition, the copyist overlooked the of g2 in b. 23. FE also added only some of the necessary flats, next to d2(3) in b. 21-22, and – which is puzzling – also overlooked the of g2 in b. 23. GE and EE added all necessary accidentals. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , GE revisions , Omission of current key accidentals , FE revisions , Inaccuracies in FC , Fontana's revisions , Inaccuracies in A , Errors repeated in FE |
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b. 21
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composition: Op. 28 No. 11, Prelude in B major
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We reproduce the grace note and the curved lines in principle after the notation of A, in which, however, the slur running from the grace note to the f2 minim is led under the notes and overlaps with the tie of the grace note, pointing downwards. It confused the interpreters of A:
EE2 supplemented the FE version with a grace note taken from GE1. category imprint: Differences between sources issues: EE revisions , Errors in FE , Errors of FC , Fontana's revisions |
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b. 21-22
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composition: Op. 28 No. 21, Prelude in B♭ major
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In these bars Chopin did not enter any accidentals into the L.H. part at all. All necessary flats were added in FC (→GE); they are also in EE. In turn, FE added accidentals only before the fifths that open the bars. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omission of current key accidentals , Errors of A , FE revisions , Fontana's revisions , Errors repeated in FE |
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b. 21
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composition: Op. 28 No. 12, Prelude in G♯ minor
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According to us, the position of the indication under the bottom stave in A does not mean that it refers to the L.H. only. Due to the above reason, in the main text we put it in its usual place, in accordance with the remaining sources. category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections in A , FE revisions , Fontana's revisions |