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Issues : Fontana's revisions
b. 18-20
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composition: Op. 28 No. 21, Prelude in B♭ major
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In A (→FE) there is not a single category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Fontana's revisions , Inaccuracies in A , Errors repeated in FE |
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b. 19-23
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composition: Op. 28 No. 21, Prelude in B♭ major
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In A Chopin overlooked a few necessary flats in the R.H. part: in b. 19 d category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , GE revisions , Omission of current key accidentals , FE revisions , Inaccuracies in FC , Fontana's revisions , Inaccuracies in A , Errors repeated in FE |
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b. 21
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composition: Op. 28 No. 11, Prelude in B major
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We reproduce the grace note and the curved lines in principle after the notation of A, in which, however, the slur running from the grace note to the f
EE2 supplemented the FE version with a grace note taken from GE1. category imprint: Differences between sources issues: EE revisions , Errors in FE , Errors of FC , Fontana's revisions |
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b. 21-22
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composition: Op. 28 No. 21, Prelude in B♭ major
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In these bars Chopin did not enter any accidentals into the L.H. part at all. All necessary flats were added in FC (→GE); they are also in EE. In turn, FE added accidentals only before the fifths that open the bars. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omission of current key accidentals , Errors of A , FE revisions , Fontana's revisions , Errors repeated in FE |
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b. 21
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composition: Op. 28 No. 12, Prelude in G♯ minor
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According to us, the position of the category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections in A , FE revisions , Fontana's revisions |