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Issues : Inaccuracies in FC
b. 9-10
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composition: Op. 28 No. 12, Prelude in G♯ minor
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The abridged notation of these bars in FC creates confusion in the application of performance marks – accents, cresc., pedalling. We assume that the notation is compliant with the notation of A (except cresc.); however, GE interpreted it differently – the accents were omitted, and the pedalling marks were repeated. category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in FC |
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b. 9-10
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composition: Op. 28 No. 12, Prelude in G♯ minor
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The pedalling of GE resulted from the vague, abridged notation of these bars in FC – see the note above. category imprint: Differences between sources issues: Inaccuracies in FC |
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b. 10-11
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composition: Op. 28 No. 21, Prelude in B♭ major
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A late start of the slur is one of numerous slurring inaccuracies of Fontana in this Prelude – cf. the note to b. 2-4. category imprint: Differences between sources issues: Inaccuracies in FC |
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b. 10-11
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composition: Op. 28 No. 12, Prelude in G♯ minor
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B. 10 is written in FC in an abridged manner as a repetition of b. 2, and the cresc. indication present therein was written in b. 11, perhaps to remind us that the dashes concern that very mark. GE, however, considered that version binding instead of the indication in b. 2 (10) and reproduced it literally, omitting the beginning of the crescendo in b. 10. category imprint: Differences between sources issues: Inaccuracies in FC |
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b. 11-12
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composition: Op. 28 No. 2, Prelude in A minor
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The corrections and crossings-out visible in A reveal the changes performed both to the range and the position of the category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Errors in FE , Scope of dynamic hairpins , Corrections in A , Deletions in A , FE revisions , Inaccuracies in FC |