Issues : EE revisions

b. 619-620

composition: Op. 11, Concerto in E minor, Mvt I

Minims in FE

Dotted minims in GE & EE

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In the main text, we adopt the enhanced notation, used in GE and EE. The notation of FE is probably earlier, since in the vast majority of similar bars it was changed by Chopin to the latter.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions , GE revisions , Omitted correction of an analogous place

b. 620

composition: Op. 11, Concerto in E minor, Mvt I

c1 in FE (→GE1GE2)

c1 in EE & GE3

c1 suggested by the editors

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The missing accidental before the 4th semiquaver in FE (→GE1GE2) must be an oversight – in such figures, enveloping the initial note like a grupetto (very frequent in Chopin's output), two bottommost notes constitute an interval of a minor or major second, but not augmented. We add a ​​​​​​​, which is most likely in this place (cf. e.g. bar 220). The accidental was added already in EE and GE3.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Errors in FE , GE revisions

b. 621

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fontana's fingering in EE

category imprint: Differences between sources

issues: EE revisions

b. 622

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fontana's fingering in EE

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The first three digits of the fingering given in bar 622 are repeated also in bar 625.

category imprint: Differences between sources

issues: EE revisions

b. 623-627

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fontana's fingering in EE

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Fontana's fingering given in bar 623 and 627 suggests beginning the trill from the top note, which seems to be questionable in this context.

category imprint: Differences between sources

issues: EE revisions