Issues : Annotations in FED
b. 3
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composition: Op. 25 No 2, Etude in F minor
category imprint: Differences between sources |
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b. 3
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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The fingering, added in pencil, most probably by Miss O'Méara, could have been indicated to her by Chopin. Similarly in the R.H. and in bars 4-5. category imprint: Differences between sources |
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b. 3
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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The fingering, added in pencil, most probably by Miss O'Méara, could have been indicated to her by Chopin. Similarly in the L.H. and in bars 4-5. category imprint: Differences between sources |
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b. 3-7
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composition: Op. 28 No. 15, Prelude in D♭ major
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In the main text we give the undoubtedly Chopinesque fingering entered into FED in b. 3 and 7. The key element of that fingering – the 4th finger for the g2 minim – was also added in FES. The 4th finger crossing over the 5th (typical of the Chopinesque fingering) and the 4th finger slipping down from a black to a white key were also indicated in analogous b. 22 and 78. See also b. 14, 15-16 and, e.g. the Sonata in B Minor, Op. 35, 3rd mov., b. 31 or the Nocturne in B Major, Op. 32 No. 1, b. 37. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FES |
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b. 4
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composition: Op. 10 No 5, Etude in G♭ major
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A (→FE→GE,EE) has d3 as the 3rd note of the 3rd triplet, changed by Chopin to e3 in FED. Taking into account the analogous corrections made in A in bars 12 and 52, we consider this change as definitive.
category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Annotations in FED , Omitted correction of an analogous place |