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Issues : Authentic corrections of GE
b. 9
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composition: Op. 42, Waltz in A♭ major
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Chopin added the leggiero indication in FEG (→GE) and certainly also in the base texts to FE and EE. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of GE , Authentic corrections of EE |
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b. 9
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composition: Op. 2, Variations, complete
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The starting point of the slur in A cannot be explained either musically or pianistically, hence we can assume an inaccuracy of notation here. The reason for an earlier start of the slur in GE (→FE,EE) is probably a routine approach of the engraver of GE1, although one cannot completely rule out Chopin's possible correction. Anyways, the composer did not question such a slur while proofreading FE1, for example, in the previous bar. category imprint: Differences between sources issues: GE revisions , Authentic corrections of GE |
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b. 10
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composition: Op. 42, Waltz in A♭ major
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On the 2nd and 3rd crotchet FE0 has B category imprint: Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of GE , Authentic corrections of EE |
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b. 10
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composition: Op. 25 No 1, Etude in A♭ major
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Similarly as in analogous bars 1-2, AI has here only an accent under f2 at the beginning of bar 10. Lack of the category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of GE |
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b. 11-12
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composition: Op. 21, Concerto in F minor, Mvt II
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The separated slurs in FE (→EE) are most probably an inaccuracy repeated after the proof copy of GE1. In the very GE1 (→GE2) the slur was corrected (combined) in the last phase of proofreading, perhaps by Chopin. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , Authentic corrections of GE |