![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Terzverschreibung error
b. 8
|
composition: WN 37, Lento con gran espressione
..
The concordant text of A1 and CJ leaves no doubts that it was also [A2] that featured f category imprint: Differences between sources issues: Terzverschreibung error , Kolberg's revisions |
|||||||||||
b. 8
|
composition: Op. 44, Polonaise in F♯ minor
..
In FE1 the last two R.H. dyads are c category imprint: Differences between sources issues: EE revisions , Errors in FE , Terzverschreibung error , FE revisions |
|||||||||||
b. 9
|
composition: Op. 25 No 2, Etude in F minor
..
The last crotchet in GE1 is an e category imprint: Interpretations within context; Differences between sources issues: Errors in GE , Terzverschreibung error , GE revisions |
|||||||||||
b. 11
|
composition: Op. 25 No 12, Etude in C minor
..
FE has an f1 instead of a category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , Errors in FE , Terzverschreibung error , Annotations in FES |
|||||||||||
b. 12
|
composition: WN 17, Polonaise in B♭ major
..
The sound of the 2nd quaver intended by Chopin gives rise to doubts. JC has here a b category imprint: Interpretations within context; Differences between sources issues: Terzverschreibung error , Errors in PE |