Issues : Inaccuracies in FE
b. 1-3
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composition: Op. 10 No 3, Etude in E major
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The slur, dividing (among others) the parts of both hands written on the bottom stave, was omitted in the editions, probably due to graphic difficulties. category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 1
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composition: Op. 25 No 2, Etude in F minor
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The use of time signature is surprising only in CDP and EE, as in FE the indication in the Etudes – contrary to the manuscripts – was not used at all, neither in Op. 25 nor in Op. 10 and the Etude in F minor, Dbop. 36 No. 1 (see also the Impromptu in A major, Op. 29). In any case, the correctness and authenticity of the time signature leaves no doubts – a two-beat bar is written in two autographs (AT and AW) and in GC, based on an autograph. AT has a 2/4 time signature, which is a part of the original rhythmic notation of the Etude, discussed in the adjacent note. category imprint: Differences between sources issues: Changes of metre , Inaccuracies in FE , 4/4 or 2/2 |
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b. 1
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composition: Op. 25 No 4, Etude in A minor
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The use of time signature is not surprising only in GE1, as FE does not use the indication in the Etudes – contrary to the manuscripts – at all, neither in Op. 10 nor in the Etude in F minor, Dbop. 36 No. 1 (cf. also the Impromptu in A major, Op. 29). In any case, the correctness and authenticity of the time signature does not raise any doubts thanks to A (→FC). The correct time signature was returned in GE2 (→GE3). category imprint: Differences between sources issues: Changes of metre , Inaccuracies in GE , Inaccuracies in FE , GE revisions , 4/4 or 2/2 |
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b. 1
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composition: Op. 25 No 6, Etude in G♯ minor
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The use of time signature surprises only in GE1, as FE did not use the indication in the Etudes – contrary to the manuscripts – even once, neither in Op. 25 nor in Op. 10 and the Etude in F minor, Dbop. 36 No. 1 (cf. also the Impromptu in A major, Op. 29). In any case, the correctness and authenticity of the time signature is undeniable with respect to the compatible version of FC and EE. The correct time signature was returned in GE2 (→GE3). category imprint: Differences between sources issues: Changes of metre , Inaccuracies in GE , Inaccuracies in FE , GE revisions , 4/4 or 2/2 |
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b. 1
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composition: Op. 25 No 7, Etude in C♯ minor
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Placing the metronome indication already at the beginning of the Etude may be a result of the routine interpretation of the engravers of FE and EE who did not see a reason to separate it from the Lento indication. Cf. the Etude in A minor, No. 11, bars 1-5. category imprint: Differences between sources issues: Inaccuracies in FE , EE inaccuracies |