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Issues : Sign reversal
b. 57
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composition: Op. 11, Concerto in E minor, Mvt III
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Reversed marks are quite frequent mistakes – cf. e.g. the 2nd mov. of the Concerto, bar 47 or the Etude in C Minor, Op. 10 No. 12, bar 53. In GE3, the mark was omitted, probably due to inattention – see the next note. category imprint: Differences between sources issues: Errors in GE , Sign reversal |
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b. 65
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composition: WN 17, Polonaise in B♭ major
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When read literally, the dynamic signs of PE in this bar create problems in interpretation. Combination of three signs in such a small space, out of which two, partially overlapping, indicate contrary dynamic changes, suggests inaccuracies or errors in reading [A]. According to us, the first sign is put inaccurately, while two subsequent ones – erroneously (mirror reflection of the sign). In the main text we propose the latter, interpreted as a long accent and category imprint: Interpretations within context; Differences between sources issues: Sign reversal , Errors in PE |
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b. 72-73
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE (→EE), the reversed accent is probably a mistake of the engraver, which is indicated by the common accent in analogous bar 300. Therefore, in the main text we give an accent both in this and in the next bar, like Chopin marked it in bars 300-301. There is also a possibility that the category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , Inaccuracies in GE , GE revisions , Sign reversal |
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b. 76-77
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composition: Op. 64 No 2, Waltz in C♯ minor
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Same as in bars 66-67 and 70-71, both source versions of the melody at the transition between the bars are almost certainly authentic. In the main text, we give a version with a repeated d category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Annotations in FED , Errors in GE , GE revisions , Sign reversal , Authentic corrections of GE |
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b. 84
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composition: Op. 50 No. 1, Mazurka in G major
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The mark of A1, with arms of different length, may be interpreted as a reversed long accent or a short category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: Long accents , EE revisions , Sign reversal , Authentic corrections of FE |