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b. 1
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composition: Op. 25 No 7, Etude in C♯ minor
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It is hard to evaluate how the difference in the range of category imprint: Differences between sources issues: Scope of dynamic hairpins |
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b. 1
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composition: Op. 26 No 1, Polonaise in C♯ minor
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Despite being clearly separated by Chopin in A, the tempo indication (abbreviated) – Allo – and the expressive one – appassionato – were combined into one in GE – Allegro appassionato. category imprint: Differences between sources issues: GE revisions |
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b. 1
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composition: Op. 25 No 8, Etude in D♭ major
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In the main text we give the title and dedication after the title page of the entire opus in A and FE. category imprint: Differences between sources issues: EE revisions , Dedications , GE revisions |
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b. 1
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composition: Op. 25 No 9, Etude in G♭ major
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In the main text we give the title and dedication after the title page of the entire opus in GC and FE. category imprint: Differences between sources issues: EE revisions , Dedications , GE revisions |
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b. 1
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composition: Op. 25 No 10, Etude in B minor
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In the main text we give the title and dedication after the title page of the entire Opus in GC and FE. category imprint: Differences between sources issues: EE revisions , Dedications , GE revisions |
in 
), as falling after diminuendo, one could consider them as the most silent – in the main text we give the version of 
major, 
