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Issues : Terzverschreibung error
b. 283-287
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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It is one of the places in which the performance and concert tradition, shaped to a significant extent on GE and established by the deeply rooted for many decades belief that GC is Chopin's autograph, most probably conveys an erroneous text. The absence of visible corrections in the sources based directly on [A] – GC and FE – means that one of the versions is most probably erroneous. The significant majority of arguments supports the correctness of the chord with b category imprint: Interpretations within context; Differences between sources issues: Terzverschreibung error , Errors of GC |
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b. 285
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composition: Op. 21, Concerto in F minor, Mvt I
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The version of FE (→EE) is most probably a Terzverschreibung error – in the recapitulation A has an almost unchanged accompaniment, with respect to the exposition, in the entire theme (from bar 273); there are also no visible traces of correction in print in FE. category imprint: Differences between sources issues: Errors in FE , Terzverschreibung error |
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b. 288
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composition: Op. 21, Concerto in F minor, Mvt III
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The version of FE1 must be erroneous, which is proved by a comparison with analogous bars 286 and 290 as well as by the proofreading of FE2 (→EE), perhaps originated by Chopin. category imprint: Differences between sources issues: Errors in FE , Terzverschreibung error , Authentic corrections of FE |
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b. 288
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composition: Op. 11, Concerto in E minor, Mvt I
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In GE1 (→GE2), the 8th semiquaver is a d category imprint: Interpretations within context; Differences between sources issues: Errors in GE , Terzverschreibung error , GE revisions |
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b. 290
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composition: Op. 11, Concerto in E minor, Mvt I
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The version with d category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Terzverschreibung error , GE revisions |