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Issues : Inaccurate note pitch in A
b. 42
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composition: Op. 10 No 4, Etude in C♯ minor
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When interpreted literally, AI has in the last group of semiquavers two notes different than in the published version: the 2nd semiquaver a
In the main text we give the version of FE (→GE,EE), completed with the cautionary category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources; Editorial revisions; Corrections & alterations |
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b. 50
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composition: Op. 38, Ballade in F major
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The ninth semiquaver is placed somewhat too low in A so that FE1 has an a1 instead of b1 there. The error was corrected in FE2 (→FE3), the remaining sources also have the right text. category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE , Inaccurate note pitch in A , Authentic corrections of FE |
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b. 52
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composition: WN 37, Lento con gran espressione
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The last L.H. quaver in A1 is written inaccurately – one can see it as f category imprint: Graphic ambiguousness issues: Inaccurate note pitch in A , Inaccuracies in A |
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b. 65
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composition: Op. 64 No 2, Waltz in C♯ minor
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We assume that out of two notes written in As at the beginning of bar 65, d category imprint: Interpretations within context; Differences between sources; Corrections & alterations |
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b. 83
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composition: Op. 24 No. 2, Mazurka in C major
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The first quaver f is written slightly too high in A, so in GE1 it was read as g flat. The mistake was corrected in FE (→EE), as well as in GE2 (→GE3) category imprint: Graphic ambiguousness; Differences between sources issues: Errors in GE , Inaccurate note pitch in A |