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Issues : Differences in fingering
b. 16-18
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composition: Op. 28 No. 6, Prelude in B minor
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In the ending of the phrase, starting from the last semiquaver in b. 16, FEJ and FES present completely different fingering versions. The only point in common, the 5th finger on D in b. 17, allows us to consider the fingering used before and after independently – e.g. the 1st finger can be used only just on A, as it is done in FES, but end with the 3rd finger on F category imprint: Differences between sources; Editorial revisions issues: Annotations in teaching copies , Differences in fingering , Annotations in FES , Annotations in FEJ |
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b. 18-20
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composition: Op. 28 No. 6, Prelude in B minor
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Similarly to analog. b. 15, the fingering versions of FEJ and FES differ in the performing manner of the e crotchet in b. 19. For the remaining notes (until c category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Differences in fingering , Annotations in FES , Annotations in FEJ |
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b. 20-21
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composition: Op. 28 No. 6, Prelude in B minor
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As was the case with b. 16-17, FEJ and FES indicate the pass of the 1st finger in a different place. However, both copies are in agreement about the F category imprint: Differences between sources issues: Annotations in teaching copies , Differences in fingering , Annotations in FES , Annotations in FEJ |
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b. 22-23
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composition: Op. 28 No. 6, Prelude in B minor
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As in previous similar figures, in FES – differently than in FEJ – finger swaps were indicated on one key (the opposite situation is to be found only in b. 18). category imprint: Differences between sources; Editorial revisions issues: Annotations in teaching copies , Differences in fingering , Annotations in FES , Annotations in FEJ |
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b. 24
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composition: Op. 25 No 7, Etude in C♯ minor
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The first two numerals written in FED are compatible with the entry in FES, which allows for considering the '5' visible in the second copy as an addition to the fingering of FED. In this version we give this fingering – analogous with the Chopin fingering in bar 22 – in the main text. As far as the continuation of the fingering of FES is concerned, the numerals concerning g category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , EE revisions , Annotations in FED , Differences in fingering , Annotations in FES |