Issues : Errors in FE
b. 1
|
composition: Op. 10 No 9, Etude in F minor
..
In the main text we give the title and dedication in the undoubtedly authentic version adopted in FE. The extensions of both the title (in GE and EE) and dedication (in EE) most probably come from the editors. See Etude in C, No. 1, bar 1. category imprint: Differences between sources issues: EE revisions , Errors in FE , Dedications , GE revisions |
||||||||||||||||||||||
b. 1-7
|
composition: Op. 10 No 9, Etude in F minor
..
The sources differ in the length of the initial phrase of the Etude, provided with the slurs in the L.H. As there is no doubt that the aforementioned slurs are written as a model and the similar slurring generally applies in the entire Etude, all these notations should be considered as equal. In the main text we give the version of A, as undoubtedly authentic and later than AI (in FE the missing slurs in bar 2 may be accidental). See also bars 8 and 9-16. category imprint: Differences between sources issues: EE revisions , Errors in FE |
||||||||||||||||||||||
b. 1
|
composition: Op. 10 No 8, Etude in F major
..
In the main text we give the title and dedication in the undoubtedly authentic version adopted in FE. The extensions of both the title (in GE and EE) and dedication (in EE) most probably come from the editors. See the Etude in C major, No. 1, bar 1. category imprint: Differences between sources issues: EE revisions , Errors in FE , Dedications , GE revisions |
||||||||||||||||||||||
b. 1
|
composition: Op. 10 No 10, Etude in A♭ major
..
In the main text we give the title and dedication in the undoubtedly authentic version adopted in FE. The extensions of both the title (in GE and EE) and dedication (in EE) most probably come from the editors. See Etude in C, No. 1, bar 1. category imprint: Differences between sources issues: EE revisions , Errors in FE , Dedications , GE revisions |
||||||||||||||||||||||
b. 1
|
composition: Op. 10 No 10, Etude in A♭ major
..
It is unclear whether FE (→GE,EE) missing the first two fingering numerals written in A is a result of Chopin's proofreading or the engraver's inattention. A possible resignation from these hints could have been related to the change of the rhythmic value of the upbeat. category imprint: Differences between sources issues: Errors in FE |