Issues : Dotted or even rhythm
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b. 14
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The dotted rhythm in GE is most probably either a mistake or revision, perhaps resulting from the conviction that the notation of GC is inaccurate – in the same figure there are no dots extending the first octave of the bar. Similarly in bar 68. category imprint: Differences between sources issues: GE revisions , Dotted or even rhythm |
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b. 17
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composition: WN 17, Polonaise in B♭ major
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On the 3rd beat of the bar we give the dotted rhythm after PE, based on the later autograph – [A]. category imprint: Differences between sources issues: Dotted or even rhythm |
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b. 17
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composition: Op. 10 No 9, Etude in F minor
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The rhythm of AI is undoubtedly the original version of this motif, most probably changed at the time of writing A. It is indicated by gaps between the notes of this motif, corresponding to equal quavers. category imprint: Differences between sources; Corrections & alterations issues: Dotted or even rhythm |
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b. 21
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composition: Op. 50 No. 1, Mazurka in G major
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There are no reasons to consider the version of GE to be erroneous: the change of rhythm with respect to the remaining sources is confirmed by the complementary slur. On the other hand, deprived of insight into [A2], one cannot state whether Chopin replaced therein a previous version or whether he simply wrote another one, which does not give us grounds to consider the previous one to be rejected. Due to the above reason, we consider both possibilities equal. category imprint: Differences between sources; Corrections & alterations issues: Dotted or even rhythm |
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b. 22
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composition: WN 55, Waltz in F minor
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The dotted rhythm in AR was not repeated in any other autograph. category imprint: Differences between sources issues: Dotted or even rhythm |
