mUltimate Chopin

Op. 35, Sonata in B♭ minor, Mvt III

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Page: 
Source: 
p. 4, b. 65-84
p. 1, b. 1-22
p. 2, b. 23-42
p. 3, b. 43-64
p. 4, b. 65-84
Main text
Main text
GC - Gutmann's Copy
Amar - Autograph fragment of March
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2mar - Second German edition of March
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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Graphic ambiguousness
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Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GC - Gutmann's Copy
Amar - Autograph fragment of March
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2mar - Second German edition of March
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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Main
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  b. 68

Quavers in GC & FE (→EE)

Dotted rhythm in GE

Same as in bar 14, the authenticity of the dotted rhythm in GE is questionable.

See b. 14

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions, Dotted or even rhythm

notation: Rhythm

Missing markers on sources: FESch, FES, FED, FE2, FE3, FE4, GE1, GE2, EE1, EE2, GC, FE5, GE2mar, Amar
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