Issues : Accidental below/above the note
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b. 33-68
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composition: Op. 63 No. 1, Mazurka in B major
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In AI the middle section of the Mazurka, bars 33-68, is written down – like the outer sections – in a key signature containing 5 sharps, and in order to write d and a notes, naturals put next to individual notes are applied. The notation is generally careful, and we indicate a few certainly overlooked naturals to A or a notes in the notes on bars 34, 38, 44 and 52 (see also bars 36 and 46). category imprint: Differences between sources; Corrections & alterations issues: Accidental below/above the note |
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b. 36
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composition: Op. 10 No 6, Etude in E♭ minor
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In A the natural before the last semiquaver is written at least a third higher than the note. category imprint: Source & stylistic information issues: Accidental below/above the note |
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b. 44
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composition: Op. 30 No. 1, Mazurka in C minor
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The version featuring b category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidental below/above the note , Errors repeated in GE , Errors repeated in FE |
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b. 45
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composition: Op. 27 No 2, Nocturne in D♭ major
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A flat before g flat3 is written in A not before the head of the note but much lower. That type of peculiar notation is often encountered in Chopin's manuscripts. category imprint: Source & stylistic information issues: Accidental below/above the note |
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b. 51
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composition: Op. 63 No. 1, Mazurka in B major
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In the main text we add a cautionary category imprint: Differences between sources; Editorial revisions issues: GE revisions , Cautionary accidentals , Omission of current key accidentals , Accidental below/above the note , Last key signature sign |
in 
to the 1st third was written there in such a way that both Fontana and the engraver of 
to a.