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b. 11-12
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composition: (Op. 4), Sonata in C minor, Mvt III
..
In the main text we keep the A version, in which the wedge over the 1st L.H. quaver is written only in bar 12. However, taking into account the similarities between both bars, one can consider the addition introduced by GE (→FE,EE,IE) to be justified, while the version with two wedges an acceptable variant. category imprint: Differences between sources issues: Errors in EE , GE revisions |
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b. 11
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composition: (Op. 4), Sonata in C minor, Mvt II
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In the main text we provide the A slur, in this case clearly led to the 3rd beat of the bar. GE (→FE,EE,IE) shortening and doubling the slur, although most probably compliant with the performance intended by Chopin, cannot be authentic. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 11
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composition: Op. 12, Variations in B♭ major
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In the main text we include the cautionary category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 12
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composition: Op. 29, Impromptu in A♭ major
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We add a cautionary natural next to f2 on the 4th quaver of the bar. The sign was added by someone else in A and put in GE. category imprint: Differences between sources; Editorial revisions; Corrections & alterations issues: GE revisions , Foreign hand additions in manuscripts , Cautionary accidentals |
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b. 12
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composition: Op. 29, Impromptu in A♭ major
category imprint: Editorial revisions |
to e
2, added in 
