|
b. 12
|
composition: Op. 27 No 2, Nocturne in D♭ major
..
In the edited text we preserve the notation of A, despite the fact that a slashed grace note represents the actual execution more accurately here. Chopin did not always adhere to the conventional rules of musical notation for grace notes. category imprint: Differences between sources issues: Inaccuracies in GE |
||||||||||
|
b. 12
|
composition: Op. 27 No 2, Nocturne in D♭ major
..
Instead of a wedge appearing in A, the editions have a dot printed here. Generally speaking, the engraver used dots only to indicate staccato throughout the entire Nocturne in GE (→FE→EE). category imprint: Differences between sources issues: Inaccuracies in GE |
||||||||||
|
b. 12
|
composition: WN 55, Waltz in F minor
..
In the autographs, there are 3 different versions of the L.H., differing in the topmost element of the chords on the 2nd and 3rd beats of the bar: category imprint: Differences between sources |
||||||||||
|
b. 12
|
composition: WN 55, Waltz in F minor
..
Due to the previously appearing natural next to d2, next to the group of grace notes at the beginning of the bar, AO does not include a cautionary natural before d2. The remaining sources do feature a natural in this place, whereas AK even for a second time in this bar. category imprint: Differences between sources issues: Cautionary accidentals |
||||||||||
|
b. 12
|
composition: WN 55, Waltz in F minor
category imprint: Differences between sources |
-b
