



b. 433
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composition: Op. 21, Concerto in F minor, Mvt III
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category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in GE , GE revisions , Errors repeated in FE |
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b. 433
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composition: Op. 21, Concerto in F minor, Mvt III
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The dot in EE is most probably a mistake of the engraver who considered the staccato mark to be the dot ending the Ped. abbreviation in FE. category imprint: Differences between sources issues: Errors in EE |
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b. 433-437
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composition: Op. 21, Concerto in F minor, Mvt III
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The range of the four subsequent slurs in the L.H. in A may be problematic at the time of interpreting them – the lines are written with a flourish and they overlap with the category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Inaccurate slurs in A |
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b. 433-438
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composition: Op. 21, Concerto in F minor, Mvt III
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The shape of the accents in A, which are not very big, is generally typical of long accents (except for the sign in bar 437). However, in this case, it is understandable that the editions reproduced them as short accents. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE |
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b. 433
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composition: Op. 11, Concerto in E minor, Mvt I
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The slur over the semiquaver sequence is present in FE (→GE1→GE2) only in the L.H. In EE, an analogous slur was added for the R.H., which we consider a right revision. The change of markings in GE3 is arbitrary. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |