Issues : Authentic corrections of FE
|
b. 412
|
composition: Op. 11, Concerto in E minor, Mvt III
..
The missing dots in GE are most probably an oversight, although it cannot be ruled out that the markings were added in the last proofreading of FE – cf. bar 430. category imprint: Differences between sources issues: Errors in GE , Authentic corrections of FE |
|||||
|
b. 415-423
|
composition: Op. 21, Concerto in F minor, Mvt III
..
A (→GE) features a d category imprint: Differences between sources; Corrections & alterations issues: Enharmonic corrections , Authentic corrections of FE |
|||||
|
b. 416
|
composition: Op. 21, Concerto in F minor, Mvt III
..
In A (→GE) the crotchet of the bottom voice is written as a g category imprint: Differences between sources; Corrections & alterations issues: Enharmonic corrections , Authentic corrections of FE |
|||||
|
b. 416
|
composition: Op. 21, Concerto in F minor, Mvt III
..
The version of A (→GE) is most probably the original review of this chord, left by inadvertence (haste). It is proved by the undoubtedly Chopinesque proofreading of FE (→EE) and by the corrections visible in A in the repetition of this bar (bar 456). category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Omitted correction of an analogous place |
|||||
|
b. 416-423
|
composition: Op. 11, Concerto in E minor, Mvt I
..
In GE3, slurs in the L.H. were added in this fragment, most probably under the influence of analogous bars 440-444. It could be considered justified, if not for the fact that the range of the slurs was adjusted to the slurs in the R.H. not in an authentic version, but in an arbitrarily changed one – cf. a corresponding note to bars 417-424. Moreover, Chopin probably consciously rejected slurs in the L.H. in the discussed bars. It is proved by the traces of removal of the slur in the L.H. in bar 418 visible in FE; it was probably in [A] that the slurs in this section were so fragmentary that the composer preferred removing the inaccurate and misleading slurs rather than correcting them, given that the correct phrasing is indicated by the slurs in the R.H. category imprint: Differences between sources; Source & stylistic information issues: GE revisions , Authentic corrections of FE |
2 as the penultimate quaver in bar 415. In the proofreading of 
2. He performed an identical change in the notation of the topmost note of the chord on the penultimate quaver in bar 423. Similarly in bars 455 and 463. 
