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b. 387-388
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composition: Op. 21, Concerto in F minor, Mvt III
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The articulation markings – slurs and dots – added in EE and GE2 are inauthentic. Each of these editions repeated the markings used in the R.H. in the part of the L.H. (in EE it was performed inaccurately, since the dots in bar 387 were overlooked). In the case of GE2, compliance of this addition with Chopin's intention cannot be entirely excluded – see bars 376-377. category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 387-388
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composition: Op. 21, Concerto in F minor, Mvt III
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It is difficult to say whether the division of the slur in FE (→EE) is a consequence of a mistake of the engraver of FE or whether the slurs were corrected in GE1 in the last phase of proofreading, already after having sent the copies to Paris. In the main text we give the only authentic version of A (→GE). category imprint: Differences between sources issues: Errors in FE , Authentic corrections of GE |
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b. 387
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composition: Op. 16, Rondo in E♭ major
category imprint: Differences between sources issues: Inaccuracies in GE , EE inaccuracies |
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b. 387
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composition: Op. 11, Concerto in E minor, Mvt III
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The detailed fingering of FEH is almost certainly identical with the one Chopin meant while marking the position of the 1st finger in FED. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FEH |
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b. 387
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing wedge over the 2nd chord is most probably an oversight of FE, repeated in the majority of the remaining editions. The only exception is GE3, in which both chords are provided with dots like in the previous bar. category imprint: Differences between sources; Editorial revisions issues: GE revisions , Wedges |
under 4th quaver in 
