Issues : Abbreviated notation of A

b. 230-231

composition: Op. 35, Sonata in B♭ minor, Mvt I

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In GC – undoubtedly in accordance with [A] – the part of the L.H. is written in these bars in an abbreviated manner, as repetition of bar 229.

category imprint: Differences between sources; Source & stylistic information

issues: Abbreviated notation of A

b. 237

composition: Op. 21, Concerto in F minor, Mvt I

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In A the last group of semiquavers is written in an abbreviated manner as a repetition of the previous one. The abbreviation was explained in GE (→FEEE).

category imprint: Source & stylistic information

issues: GE revisions , Abbreviated notation of A

b. 245-251

composition: Op. 43, Tarantella

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In A and FC3 in bars 245, 247, 249 and 251 the first beat in LH is written out as repeat of the second beat of the previous bar.

category imprint: Differences between sources; Source & stylistic information

issues: Abbreviated notation of A

b. 253-257

composition: Op. 35, Sonata in B♭ minor, Mvt II

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In GC the bars are not written out – see the note in bar 189.

category imprint: Source & stylistic information

issues: Abbreviated notation of A

b. 276-277

composition: Op. 44, Polonaise in F♯ minor

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As in previous analogous places, in FE (→EE) the L.H. part octaves from the 2nd beat of b. 268 to the end of the 1st beat of b. 269 are written down in a simplified manner with the use of con 8va.

category imprint: Differences between sources

issues: Abbreviated notation of A