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b. 335

composition: (Op. 4), Sonata in C minor, Mvt IV

B in A

B-f in GE (→FE,EE,IE)

..

The additional f note resulted from a mistake by the engraver of GE, who mistook the wedge over B for a notehead.

category imprint: Differences between sources

issues: Errors in GE

b. 335

composition: (Op. 4), Sonata in C minor, Mvt IV

Wedges in A

No marks in GE (→FE,EE,IE)

..

The missing wedges in the editions are due to mistakes by the engraver of GE, who mistook the wedge over B for a notehead (see the note above) and overlooked the mark over E.

category imprint: Differences between sources

issues: Errors in GE

b. 336

composition: Op. 39, Scherzo in C♯ minor

sotto voce in EE & GC (→GE)

No indication in FE

..

We believe there is little chance that Chopin consciously left out sotto voce at any stage of preparing FE.

category imprint: Differences between sources

b. 336-343

composition: Op. 39, Scherzo in C♯ minor

..

Slur endings in bars 339 and 343 are innacurately notated in GC as the slurs extend over to the rests on the second beat of the bar.

category imprint: Source & stylistic information

issues: Inaccuracies in GC

b. 336

composition: Op. 21, Concerto in F minor, Mvt I

c2 in A & GE2

b1 in GE1 (→FEEE)

..

According to us, the version of GE1 (→FEEE) is a result of a misunderstanding of the sense of the proofreading in the previous bar. The engraver probably considered the ccrotchet to be related to the trill and constituting its ending. Since in the proofreading a change of the trilled note was marked, he assumed that the crotchet is also to be corrected.

category imprint: Differences between sources

issues: Errors resulting from corrections , Errors in GE , GE revisions