b. 320
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composition: Op. 39, Scherzo in C♯ minor
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category imprint: Differences between sources issues: Authentic corrections in GC |
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b. 320
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composition: Op. 39, Scherzo in C♯ minor
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Since there is in both EE and FE, its lack in GC must be the copyist's omission. Therefore it is awkward to find in GE1. It may well be an error or revision as the marking was later removed from GE2. category imprint: Differences between sources issues: GE revisions , Errors of GC |
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b. 320
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composition: Op. 21, Concerto in F minor, Mvt I
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The first note in the top voice in A (→GE1→FE→EE) is an erroneous double dotted quaver. Moreover, the assignment of the middle note in the 1st chord is unclear; e2 – the head, devoid of a stem, could be combined with a2 in the top voice (as in the previous bar) or with d2 in the bottom one (as in analogous bar 170). The editions repeated the layout of the previous bar, at the same time assimilating the value of e2 with a2. The editors of mUltimate Chopin are inclined to the second possibility, suggesting in the main text a solution fully analogous with the version from the exposition. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Rhythmic errors , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 320-321
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composition: Op. 11, Concerto in E minor, Mvt I
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The presence of wedge only for the second time (in bar 321), as it is in FE (→EE), is to be considered an inaccuracy, according to us. Chopin put the mark in this bar perhaps due to the missing hand transfer, but even then, it would not mean that he envisaged a different articulation for the 1st quaver in bar 320. However, most probably, the difference came into being by accident, as a result of inadvertence of Chopin himself or of the engraver. Taking that into account, in the main text we add a wedge in bar 320. An overlooked wedge also in bar 321 is most probably a mistake of GE. category imprint: Differences between sources; Editorial revisions issues: Errors in GE |
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b. 320-321
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composition: Op. 11, Concerto in E minor, Mvt I
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In each of three analogous bars (bars 319-321), the sources feature a cautionary before the 1st semiquaver of the 3rd beat. According to us, when the figure is repeated, in bars 320-321, the marks are no more necessary. category imprint: Editorial revisions issues: Cautionary accidentals |