Issues : Authentic corrections in GC
|
b. 181-184
|
composition: Op. 38, Ballade in F major
..
As in analogous bars 177-180, the three R.H. slurs were written into GC (→GE) almost certainly by Chopin. In GE1 the slur in bar 183, last in the line, reaches only the last semiquaver even though the next bar holds its ending. The flaw was rectified in GE2 (→GE3). category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Inaccuracies in GE , GE revisions , Authentic corrections in GC , Uncertain slur continuation |
||||||||||||
|
b. 184
|
composition: Op. 38, Ballade in F major
..
The slur in GC (→GE) was almost certainly written by Chopin – cf. the analogous bar 180, where the corresponding slur occurs in all the sources. The omission of the slur in A was caused most likely by the deletions which forced Chopin to write most of this bar on an additional staff. category imprint: Differences between sources issues: Errors resulting from corrections , Authentic corrections in GC |
||||||||||||
|
b. 189-192
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
In the main text we give the pedalling added by Chopin in GC and repeated more or less accurately in GE and EE2. As the added pedalling differs from the indications in the analogous fragment of the exposition (bars 61-64), which may have resulted from haste at the time of writing it, we suggest a pedalling based on the indications of the exposition as an alternative. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Errors in GE , Authentic corrections in GC |
||||||||||||
|
b. 193-197
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
The pedalling of this fragment was added by Chopin in GC (→GE). It was also repeated in EE2, almost certainly after GE1. See also bars 198-204. category imprint: Differences between sources issues: EE revisions , Authentic corrections in GC |
||||||||||||
|
b. 196
|
composition: Op. 38, Ballade in F major
..
In front of the b category imprint: Differences between sources; Editorial revisions; Corrections & alterations issues: EE revisions , Deletions in A , FE revisions , Authentic corrections in GC |
, b
) proves that Chopin checked the correctness of notation in both manuscripts. The revisers of 
in front of these notes (b, b2 and b3). In the main text, in order to avoid doubts, we add cautionary flats in front of b