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b. 205
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composition: Op. 23, Ballade in G minor
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The il più forte possible indication in b. 206 seems to be a natural end point for cresc. from b. 203. Therefore, we consider the absence of the dashes marking the range of the dynamic change in b. 205 to be an inaccuracy of notation; consequently, we suggest adding them in the main text. Such an addition was also introduced by GE (probably on the basis of a similar reasoning). category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 205
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composition: Op. 23, Ballade in G minor
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In A (→FE→GE), the slur running from the a2 crotchet is not continued in the next bar (in a new line). The inaccuracy was removed by EE, in which the ending of the slur was added in b. 206; GE4 also removed the beginning of that slur. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , GE revisions , Uncertain slur continuation |
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b. 205-206
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composition: Op. 2, Variations, complete
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We provide the version that Chopin enhanced while proofreading FE. Moving the horn motif an octave higher could have been aimed at avoiding a false relation: f in bar 205 with f category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes , Authentic corrections of FE , Main-line changes |
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b. 205-221
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composition: Op. 49, Fantaisie in F minor
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In bar 205 and 221 we add a cautionary category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 205
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composition: Op. 12, Variations in B♭ major
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The missing b category imprint: Differences between sources issues: Errors in EE |
in 
1 at the beginning of bar 206. Moreover, the composer could have also wanted to avoid the clash – quite monotonous on the piano – with an identical motif ending the bassoon phrase.
to b in the main text. The naturals were also added by