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We provide the version that Chopin enhanced while proofreading FE. Moving the horn motif an octave higher could have been aimed at avoiding a false relation: f in bar 205 with f1 at the beginning of bar 206. Moreover, the composer could have also wanted to avoid the clash – quite monotonous on the piano – with an identical motif ending the bassoon phrase.
Compare the passage in the sources »
category imprint: Differences between sources; Corrections & alterations
issues: Accompaniment changes, Authentic corrections of FE, Main-line changes
notation: Pitch