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Issues : Errors resulting from corrections
b. 4
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composition: Op. 10 No 11, Etude in E♭ major
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The origin of the additional e category imprint: Differences between sources issues: Errors in FE , Errors resulting from corrections , Terzverschreibung error , Authentic corrections of FE |
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b. 8
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composition: Op. 28 No. 8, Prelude in F♯ minor
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In A before the 2nd demisemiquaver in the 3rd group, one can see a crossing-out, most probably of a category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Errors resulting from corrections , Deletions in A |
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b. 9
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE , Errors in EE , Errors resulting from corrections , Errors in GE |
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b. 13-14
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composition: Op. 64 No 3, Waltz in A♭ major
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The missing slur over the dyads is most probably an oversight of the engraver of FE (→GE,EEW1). Same as in the case of the pedalling, the mistake could have been provoked by deletions in A, hindering the interpretation of the composer's intention. category imprint: Differences between sources issues: EE revisions , Errors in FE , Errors resulting from corrections |
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b. 13-14
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composition: Op. 28 No. 2, Prelude in A minor
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As initially featured c1 as the top note of the even quavers, just like in previous bars. Chopin then changed it to a; however, at the end of b. 14 he left c1 (it was not crossed out), which must be considered an oversight. category imprint: Interpretations within context; Corrections & alterations; Source & stylistic information issues: Errors resulting from corrections , Accompaniment changes , Omitted correction of an analogous place |