Issues : Annotations in FESch
b. 12
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composition: Op. 28 No. 16, Prelude in B♭ minor
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In the main text we include the fingering entered into FESch, which could be coming from Chopin. The second and third digits are written inaccurately; we interpret them in accordance with the unequivocal entry in an analogous situation in b. 10. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FESch |
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b. 15
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composition: Op. 28 No. 16, Prelude in B♭ minor
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We include this fingering in the main text (probably indicated by Chopin). category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FESch |
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b. 28
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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Similarly as in bar 20, Chopin's mistake in [A] caused that the correct notation of the trill appeared in the editions – despite the proofreading of FE3 – only in GE2 and EE2. The mistake was corrected in all pupil's copies. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Errors in EE , Errors in GE , GE revisions , Annotations in FES , Authentic corrections of FE , Annotations in FESch |
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b. 31-34
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The fingering in the L.H. in bars 31 and 34, which may come from Chopin, was written in FESch. Similarly in bars 33, 35-36, 39-40, 43 and 46. Cf. the Nocturne in C minor, Op. 27 No. 1, bars 13-14. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FESch |
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b. 33
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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Same as in bar 31, the fingering in the L.H., which may come from Chopin, was written in FESch. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FESch |